Ink & Bone unfolds as an interdisciplinary art practice exploring presence, embodiment, and perception through movement, sound, and visual systems. The work lives at the intersection of dance, installation, and digital media, prioritizing slowness, sensory depth, and sustainted states of attention over narrative or spectacle.

At its core, Ink & Bone treats the body as both archive and instrument — a field where motion, memory, and form continuously inform one another.

Rather than directing interpretation, the work creates conditions for presence. Encounters with the work often register as a shift in pace — a deceleration that invites attunement to sensation, breath, and time. Meaning emerges through duration and proximity, allowing each encounter to remain partially open, unfinished, and personal.

This practice draws from contemporary dance, somatic research, installation art, and emerging digital tools, developed independently of traditional institutional production cycles. The work takes shape as a living, iterative practice rather than a fixed portfolio, with each project forming part of a broader ecosystem.

Formats

• Installation

• Live performance

• Dance Film

• Digital / web-based works

• Workshops

Motifs

• Presence

• Embodiment

• Slowness

• Memory

• Perception

• Grief

The work is ongoing, tethered through time, form, and body.